从文化翻译观角度谈英汉影视翻译研究

论文摘要

影视作为一种重要的传媒手段,在各国的文化交流中起着举足轻重的作用。自从改革开放以来,越来越多的英文影视片开始进入中国。这些影视片不仅能娱乐人民大众,而且能促进文化交流。因此,如何成功地译制英语影视片,应该受到重视。影视作品是一种大众化的艺术,它们的价值离不开观众的观赏,所以译者必须考虑观众的主观需求和接受能力。影视作品是文化的载体,属于文化的一部分。,因此,影视翻译的本质就是文化翻译。影视翻译就是在不同文化之间搭建一座桥,目的就是将一种文化介绍给另外一种文化。文化翻译和影视翻译的原则就是达到文化功能等值和跨文化交流,译者对影视翻译的职责就是解决文化之间的碰撞。鉴于英汉影视翻译的特点和性质,作者试图运用苏珊·巴斯奈特的文化翻译观对英汉影视翻译进行研究,并对一些文化因素的处理进行尝试性的探讨。文化翻译观强调以目的语观众为中心,充分发挥译者的创造性,最大限度实现目的语和原语在文化功能上的等值,使目的语观众和源语观众心理接受反应等值。在文化翻译观的指导下,本文认为归化和异化是英汉影视翻译中有效的翻译策略。而归化和异化在英汉影视翻译中并不互相排斥而是互为补充。关键问题是在什么时候,什么情况下谁为主谁为辅的问题,作者认为判断的标准就是中国观众的背景知识和期望。本文通过一些实例讨论了归化和异化在英汉影视翻译中的应用。在配音中,采用归化为主,异化为辅翻译策略。在字幕中,采用异化为主,归化为辅翻译策略。在影片名翻译中,有的影片名采用归化策略来翻译,有的采用异化翻译策略,还有的采用归化和异化相结合的翻译策略。在文化因素翻译中,采用异化策略来翻译宗教文化,采用归化策略来翻译文化意象,文化幽默和双关。本文强调在英汉影视翻译中,译者应该注意中国观众的接受能力,充分发挥他们的创造性,最大限度实现汉语和英语在文化功能上的等值,使中国观众能和源语观众达到相同或者相似的感觉,这样能真实传递英语文化信息,达到文化交流的目的。

论文目录

• Acknowledgements
• Abstract
• 摘要
• Table of Contents
• Charpter One Introduction
• 1.1 The Nature and Importance of Audiovisual Programs
• 1.2 E-C Audiovisual Translaiton Present situations and Problems
• 1.3 Purposes and Significance of This Thesis
• 1.4 The Organization of This Thesis
• Chapter Two Literature Review
• 2.1 Studies in foreign countries
• 2.2 Studies in China
• 2.3 A Summary of Past Studies
• Chapter Three Audiovisual Translation
• 3.1 What is Audiovisual Translation
• 3.2 Categories of Audiovisual Translation
• 3.2.1 Dubbing
• 3.2.1.1 The Definition of Dubbing
• 3.2.1.2 Constraints of Dubbing
• 3.2.2 Subtitling
• 3.2.2.1 The Definition of Subtitling
• 3.2.2.2 Constraints of Subtitling
• 3.3 Characteristics of Audiovisual Translation
• 3.3.1 Comprehensiveness
• 3.3.2 Instantaneousness
• 3.3.3 Popularity
• 3.3.4 Colloquialism
• 3.3.5 Double Channels
• 3.4 What is Audiovisual Language
• 3.5 Culture and Audiovisual Translation
• 3.5.1 Culture,Language and Translation
• 3.5.2 Cultural Elements in E-C Audiovisual Translation
• 3.5.2.1 Religious Culture in English Films and TV Series
• 3.5.2.2 Cultural Images in English Films and TV Series
• 3.5.2.3 Cultural Humor in English Films and TV Series
• 3.5.2.4 Puns in English Films and TV Series
• 3.5.3 E-C Audiovisual Translation Taken as a Cross-cultrual Activity
• Chapter Four Cultural Translation View and Translation strategies
• 4.1 The Background and Development of Cultural Translation View
• 4.2 Theories of Cultural Translation View
• 4.3 The Guiding Singnificance of Cultural Translation View 发 or E-C Audiovisual Translation
• 4.4 Cultural Translation Strategies:Domestication and Foreignization
• 4.5 The Relationship between Foreignization and Domestication
• 4.6 Domestication and Foreignization Taken as Effective Translation Strategies in E-C Audiovisual Translaton from Cultural Translation View
• Chapter Five E-C Audiovisual Translation from Cultural Translation View
• 5.1 Principles of E-C Audiovisual Translation
• 5.1.1 Domestication as the Primary Translation Strategy and Foreignization as the Supplementary Translation Strategy in Dubbing
• 5.1.2 Foreignizaton as the Primary Translation Strategy and Domestication as the Supplementary Translation Strategy in Subtitling
• 5.2 How to Translate Titles of Films and TV Series
• 5.2.1 Domestication in Titles
• 5.2.2 Foreignization in Titles
• 5.2.3 The Combination of Domestication and Foreignization in Titles
• 5.3 How to Translate Cultural Elements
• 5.3.1 Foreignization in Translating Religious Culture
• 5.3.2 Domestication in Translating Cultural Images
• 5.3.3 Domestication in Translating Cultural Humor
• 5.3.4 Domestication in Translating Puns
• Chapter Six Conclusion
• 6.1 Proved Findings and Implications
• 6.2 Some Limitations and Suggestions
• Bibliography
• 攻读硕士学位期间发表的论文