从译者主体性角度研究文学翻译中的创造性叛逆现象 ——个案研究：庞德《华夏集》

论文摘要

本文以哲学阐释学为理论基础,从译者的主体性角度研究文学翻译中的创造性叛逆现象,并以庞德的《华夏集》为个案详细论证了本文的观点——创造性叛逆不是指译者对原文的任意背离,而是文学翻译中译者实现对原文更深层次忠实的手段。译者的主体性是近年来翻译界日益关注的研究课题。“创造性叛逆”这一概念的提出将主体性的研究推向了新的高度。本篇论文就是从这一概念入手,对译者的叛逆性,创造性以及创造性叛逆等概念做出了诠释。同时,本文从哲学阐释学的角度出发,对创造性叛逆在文学翻译中存在的客观性进行了理论上的探讨。本文认为创造性叛逆是译者主体性在文学翻译中最突出的表现,创造性是其核心特点,叛逆性不可缺少但须给予约束。二者互相联系,组成一个有机的整体——创造性叛逆。创造性叛逆不是指译者对原文的任意背离,而是文学翻译中译者实现对原文更深层次忠实的手段。本文将庞德的《华夏集》作为个案研究,运用大量实例论证创造性叛逆的必要性和合理性,有助于改善对庞德的认识,并从侧面对进一步认识译者的地位、促进对译者主体性的研究提供一些帮助,尤其是帮助人们更加合理客观地评价译者的创造性叛逆行为。

论文目录

• 中文摘要
• ABSTRACT
• CHAPTER ONE INTRODUCTION
• 1.1 THE PURPOSE OF THE THESIS
• 1.2 THE HYPOTHESIS OF THE THESIS
• 1.3 THE SIGNIFICANCE OF THE THESIS
• 1.4 THESIS STRUCTURE
• CHAPTER TWO LITERATURE REVIEW
• 2.1 RELEVANT STUDIES AT HOME
• 2.2 RELEVANT STUDIES AT ABROAD
• 2.3 SUMMARY
• CHAPTER THREE THEORETICAL BASIS
• 3.1 ON TRANSLATOR’S SUBJECTIVITY
• 3.1.1 Definition of terms concerned
• 3.1.2 Manifestation of translator’s subjectivity
• 3.2 ON CREATIVE TREASON
• 3.2.1 Treason
• 3.2.2 Creativity
• 3.2.3 Creative Treason
• 3.3 RELEVANT FIELD－HERMENEUTICS
• 3.3.1 Theory
• 3.3.2 Inspiration
• 3.3.3 Summary
• CHAPTER FOUR TRANSLATOR’S CREATIVE TREASON IN THE LITERARY TRANSLATION----- A CASE STUDY OF POUND’S CATHAY
• 4.1 NATURE OF CREATIVE TREASON
• 4.2 FOUR ESSENTIAL FEATURES OF CREATIVE TREASON ON THE BASIS OF HORIZON FUSION
• 4.2.1 Universality
• 4.2.2 Source-text prescriptiveness
• 4.2.3 Duality
• 4.2.4 Descriptiveness
• 4.3 EZRA POUND’S TRANSLATION PRINCIPLES
• 4.3.1 Pound’s translation principle concerning the relationship between ST and TT & between the author and the translator
• 4.3.2 Pound’s theory of Luminous Detail
• 4.3.3 Pound’s theory of translatability
• 4.3.4 Pound’s criterion of translation
• 4.4 CASE STUDY: POUND’S CREATIVE TREASON IN CATHAY
• 4.4.1 Pound’s creative treason in translating poetic elements
• 4.4.2 Pound’s creative treason in translating cultural elements
• 4.4.3 Pound’s creative treason in translating linguistic elements
• 4.5 SUMMARY
• CHAPTER FIVE CONCLUSION
• ACKNOWLEDGEMENTS
• REFERENCES
• APPENDIX