译者主体性与中国古典诗歌英译

论文摘要

中国古典诗歌是世界文学的瑰宝。它通过高度简练的形式给读者提供了巨大的联想空间和“言有尽而意无穷”的丰富内涵,因此吸引了海内外的许多译者。由于诗歌本身特殊的文体形式,尽管译者们进行了相当数量的成功的翻译实践,但是译界在中国古典诗歌英译问题上仍然存在很大的争议。本文以解构主义和目的论为理论基础,旨在从译者主体性的角度来探讨中国古典诗歌英译。文章的主体部分从意象、隐喻和音乐性三个方面描述并分析了译者主体性对中国古典诗歌翻译的影响。此外,本文还采用了一些中国古典诗歌及其相应的各种译本作为例证,来证明基于对原诗的不同理解,译者的文体特征、翻译目的、历史时代和语言文化背景导致了译本的多样化,但它们仍然被视为是对原作的忠实。

论文目录

• Declaration
• Abstract and key words
• Acknowledgement
• Table of Contents
• Chapter Ⅰ Introduction
• 1.1 Motivation
• 1.2 Research Questions
• 1.3 Methodology and Thesis Structure
• Chapter Ⅱ Literature Review
• 2.1 Deconstruction Theory and Translator's Subjectivity
• 2.2 Skopos Theory and Translator's Subjectivity
• Chapter Ⅲ Poetry Translation
• 3.1 The Definition of Poetry
• 3.2 The History of the Translation of Chinese Classical Poetry into English
• 3.3 Three Schools of Poetry Translation
• 3.4 Three Elements Deserving Attention during the Translation Process
• Chapter Ⅳ Translator's Subjectivity Affecting the Translation of Chinese Classical Poetry into English
• 4.1 Translator's Subjectivity Affecting the Translation of Image in Chinese Classical Poetry
• —4.1.1 The Definition of Image
• —4.1.2 Manifestation of Image in Poetry
• —4.1.2.1 Single Image in Poetry
• —4.1.2.2 Multiple Images in Poetry
• —4.1.3 Role of Image in Chinese Classical Poetry
• —4.1.4 Manifestation of Translator's Subjectivity in Translating Image in Chinese Classical Poetry
• 4.2 Translator's Subjectivity Affecting the Translation of Metaphors in Chinese Classical Poetry
• —4.2.1 The Definition of Metaphor
• —4.2.2 Typologies of Metaphor
• —4.2.3 Metaphor and Culture
• —4.2.4 Metaphor and Chinese Classical Poetry
• —4.2.5 Manifestation of Translator's Subjectivity in Translating Metaphors in Chinese Classical Poetry
• 4.3 Translator's Subjectivity Affecting the Conveyance of Musicality in Chinese Classical Poetry
• —4.3.1 The Musicality in Poetry
• —4.3.2 Musical Devices in Poetry
• —4.3.2.1 Musical Devices in Chinese Classical Poetry
• —4.3.2.1.1 Rhythm in Chinese Classical Poetry
• —4.3.2.1.2 Rhyme in Chinese Classical Poetry
• —4.3.2.1.3 Shuangsheng, Dieyun and Dieyin in Chinese Classical Poetry
• —4.3.2.2 Musical Devices in English Poetry
• — 4.3.2.2.1 Rhythm in English Poetry
• —4.3.2.2.2 Rhyme in English Poetry
• —4.3.2.3 The Comparison between the Musical Devices in Chinese and English Poetry
• —4.3.3 Manifestation of Translator's Subjectivity in Conveying the Musicality of Chinese Classical Poetry
• Chapter Ⅴ Conclusion
• Bibliography